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Review

“The genius of Listening to Stone is how its author, Hayden Herrera, inhabits the sculpturing hand of its subject. Rather than focus on the surface, Herrera gest 'beneath the skin,' as Noguchi would say, to the 'brilliance of matter' . . . [An] elegant account.” ―James Panero, The New York Times Book Review“Masterful . . . Herrera had to synthesize a vast amount of material to produce this authoritative account.” ―Ann Levin, The Associated Press“Hayden Herrera's welcome and comprehensive biography of [Noguchi] provides a definitive portrait of a figure who, by the time he died in 1988, was seen by many critics as the greatest American sculptor of the 20th century . . . Listening to Stone is a complex account of a flawed and restless visionary.” ―Michael Upchurch, The Seattle Times“Herrera wisely used the biographical framework for Listening to Stone: The Art and Life of Isamu Noguchi . . . And what a tale it is! One that Ms. Herrera tells with clarity and Measured restraint. Noguchi knew all sorts of people--important artists and architects, patrons and politicians--and met them in a world-wide variety of places. At times Listening to Stone unfolds almost like a novel.” ―E. A. Carmean Jr., The Wall Street Journal“A passionate stone carver and a constant traveler with a notoriously complicated love life, Noguchi constructed, with tremendous vision, skill, and turmoil, dynamic outdoor installations all around the world. But as Herrera . . . so sensitively illuminates and assiduously documents, his mixed heritage and illegitimate birth caused him endless anguish . . . Herrera tells Noguchi's astounding, many-chaptered story of 'unstoppable creative energy,' fame, and perpetual alienation with thrilling narrative drive and deep perception and reinvigorates appreciation for Noguchi's searching and evocative art.” ―Booklist, (starred review), Donna Seaman“Herrera delves into the details of the life of influential and enigmatic American sculptor Isamu Noguchi in this thorough and solid biography . . . Herrera's expertise and insight illuminate Noguchi's evolving creative process, as well as the full scope of his personal relationships . . . Herrera adroitly shows that Noguchi was more than just a sculptor-he was a skilled craftsman, a heartbreaker, and a philosopher of design. This biography carves a smooth portrait of one of the most prolific and original artists of the twentieth century.” ―Publishers Weekly (Top Ten Art, Architecture & Photography Pick for Spring 2015)“A comprehensive biography of a sculptor of stone and space . . . Herrera gives readers an ample, thorough analysis of his estimable art.” ―Kirkus Reviews“From beginning to end, Listening to Stone is a beautifully written biography and an engrossing tale of one of the most inventive artists of the twentieth century. As she elucidates Noguchi's poetic genius and his wonderfully unclassifiable approach to art, Hayden Herrera brings to life the milieus in which Noguchi lived like no one else. From the mountainous coast of rural Japan to bohemian New York in the 1920s to Paris and Tokyo in the following decade, she vividly presents Noguchi's relationship with his settings. This is an enticing book achieved with an élan consistent with the magical work of a remarkable artist.” ―Nicholas Fox Weber, author of The Bauhaus Group: Six Masters of Modernism“Listening to Stone provides a sweeping portrait of a rebel genius who was able to make a difference doing the work he most loved. Hayden Herrera helps us understand a man who, like many of his friends and associates, was branded an outlaw because he was so far ahead of his time. Listening to Stone is a monument to the man who created monuments around the world.” ―L. Steven Sieden, author of Buckminster Fuller’s Universe: His Life and Work

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About the Author

Hayden Herrera is the author of the Pulitzer Prize-nominated Arshile Gorky: His Life and Work, as well as Frida: A Biography of Frida Kahlo, and Matisse: A Portrait.

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Product details

Hardcover: 592 pages

Publisher: Farrar, Straus and Giroux; 1st Edition edition (April 21, 2015)

Language: English

ISBN-10: 0374281165

ISBN-13: 978-0374281168

Product Dimensions:

6.4 x 1.8 x 9.3 inches

Shipping Weight: 1.9 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

19 customer reviews

Amazon Best Sellers Rank:

#203,065 in Books (See Top 100 in Books)

I’ve seen some of Noguchi’s work, and Hayden Herrera’s discussions of it are enlightening. Still, my fascination is with Noguchi the man. He was clearly not the easiest person to get along with, but his tremendous drive, his insecurities, his amorous quests and intense focus all make for a great story.Imagine a boy of mixed parentage, born in the U.S., raised partly in Japan, who sets off alone at the age of thirteen on a ship bound from Yokohama to Seattle. From there, still alone, he makes his way across the U.S. by train to a boarding school in Indiana. Early on, from a story like this, we see much of Noguchi’s character: he was a traveler, he was unafraid, and he was forever torn between two cultures. Because of his mixed blood, he said, “I am always nowhere.” “When I’m in Japan, I think I should be I the United States, and when I’m there I want to be back in Japan.”This same geographic impulse—“I simply can not stay in one place for a long time”—also seems to have played out with his romantic liaisons. Reading about his long list of lovers, I thought of the old line, “She who flies from me, I follow, and she who follows me, I fly from.” Or, as Noguchi himself put it: “I’m nice to women who are bad for me and bad to women who are good for me.”He could be cantankerous, ungrateful and self-centered—as well as wonderfully buoyant and supportive. It all makes for a great read, in this biography of one of our country’s most notable sculptors.

Preparing to lead tours of Noguchi's works at the Brooklyn Botanic Garden this fall, I found this biography an extremely helpful resource. It is clean and clear, if a bit prosaic. Herrera leans heavily on Noguchi's own autobiography and seems to draw little from other sources, save a few still living individuals close to the artist, including Noguchi's last lover. The book is best when it maps narrative to image, and the inclusion of some wonderful hard-to-find photos is one of the book's strongest attributes. The book also is especially adept at detailing virtually every lover of import the artist had, including Frida Kahlo (about whom Herrera has also authored a biography), which makes for some saucy reading. The major struggle I faced was the implication that there was a seemingly precise turning point when Noguchi turned from starving and struggling artist to overnight success. This is not, in fact, an accurate portrayal of Noguchi's arc. I don't fault Herrera for failing to capture the trajectory or finding the inflection point, for, in fact, I don't believe there was one. But I'm not sure why she seems to have decided she needed this in the telling of the tale. Another peculiar aspect to the story, related to my primary misgiving, is that Herrera seems to paint Noguchi as a critical failure, even into the 1960s, when he was anything but. On the one hand, he was receiving, she points out, retrospectives and major commissions around the globe. Yet, she routinely depicts reviews of the artist's work that carried harsh judgments or worse. I suspect Herrera selects this approach to continually cast her subject as an underdog, but it creates the peculiar impression that Noguchi was not an accepted artist when he clearly was. These are, in the end, relatively small problems in a well-constructed, competently researched narrative. But they leave the reader wondering why Herrera didn't thread the needle just a tad more carefully -- in the service of what would have made this important book even more believable.

Very well written. Herrera very wisely frequently uses Noguchi's own words. He is one of my favorite sculptors so I found it fascinating to read about his development as a man and an artist. It was immensely interesting to learn about what influenced him, the trajectory of his career and the development of and living with his Eastern/Western conflict. I highly recommend this book.

Received in perfect condition and on time.Material looks comprehensive and as I hoped although I haven't dug into it in depth yet.Unable to critique fully.

Sometimes a little too much detail.Enjoyed reading about such an interesting person and how he evolved to such an amazing artist / furniture designer.Interesting to read about the time he lived.

A great history of Noguchi; fascinating man!

Great read for an art lover.The author uses a sparse and smooth writing style. Therare subjective commentary was thoughtful.

Usually not drawn to biographies, but this is a good one,I read a little each night and amazed by the complexity of his life and all the connections. Hayden does a great job in keeping it going...a fun read.

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