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Face the Music: A Life Exposed, by Paul Stanley
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From Booklist
Most people will probably not associate sensitivity with the flamboyant heavy-metal rock band KISS, and yet in his memoir, front man, rhythm guitarist, and cofounder Paul Stanley succeeds in making a connection with the reader, KISS fan or not. Born with microtia, a deformity that left him deaf in his right ear, Stanley felt like “a freak.†His stage makeup (heavy white face paint with a star around his right eye), therefore, functioned as a mask that hid his doubts and insecurities and turned him into a larger-than-life persona, Starchild, which served, he explains, as “a defense mechanism to cover up who I really was.†Stanley discusses his childhood growing up lonely and friendless in Manhattan and Queens, and the pivotal night when he saw the Beatles on The Ed Sullivan Show and realized that music would be the “vehicle†to lead him out of his misery. He also writes about his fellow band members, the ups-and-downs of stardom, and the decadent rock-star lifestyle, coming across through it all as likable and down-to-earth. --June Sawyers
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Review
“Paul Stanley proves himself as an artist in music and on canvas and now with a great book.” (Jimmy Page)“Both honest and inspirational. Amazing tales from one of rock’s great frontmen.” (Sir Elton John)“Paul is a great man who has achieved great things. From the Popcorn Club all the way to the Hall of Fame, his story is inspiring and motivating for anyone who dreams big.” (Dave Grohl)“An entertaining yet piercingly honest journey from self–conscious child to the world’s most visually famous rock band, to, finally—with the makeup wiped away—a place of peace as a father and a man. Paul Stanley’s story is both ordinary and extraordinary, which makes it inspiring.” (Mitch Albom, author of The First Phone Call From Heaven and Tuesdays With Morrie)“For years the members hid their true identities behind cartoon personas and hard rock anthems... After years of carefully maintaining his Starchild superhero identity, Stanley lets down his guard and unleashes a torrent of pent-up feelings that erupt and flow over 400 pages like molten lava.” (Guitar World Magazine)“KISS’ flamboyant “Starchild” unplugs his high-wattage amps and introduces fans to an even more intriguing character: Stanley Harvey Eisen... [Face the Music is] an indispensable part of KISStory.” (Kirkus Reviews)“Elegantly and thoughtfully, Stanley takes us behind the mask of Starchild, his KISS persona, and shares intimately his own insecurities about his physical appearance and his emotional life.” (Publishers Weekly)“Most people will probably not associate sensitivity with the flamboyant heavy-metal rock band KISS, and yet in his memoir, front man, rhythm guitarist, and cofounder Paul Stanley succeeds in making a connection with the reader, KISS fan or not.” (Booklist)
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Product details
Hardcover: 480 pages
Publisher: HarperOne; First Edition edition (April 8, 2014)
Language: English
ISBN-10: 0062114042
ISBN-13: 978-0062114044
Product Dimensions:
6 x 1.4 x 9 inches
Shipping Weight: 1.8 pounds
Average Customer Review:
4.6 out of 5 stars
1,000 customer reviews
Amazon Best Sellers Rank:
#60,746 in Books (See Top 100 in Books)
I loved and hated this book. I loved it because I enjoyed the triumphs over his obstacles, and found it inspiring. BUT as a long time fan of KISS I found Paul Stanley a big disappointment as a human being. He basically starts the book by complaining about his parents and blaming them for his short comings, or for not being supportive. When he speaks of the early years of KISS it's clear he has a personal vendetta against drummer Peter Criss for whatever reason, in fact there is not one time he mentions Peter in a positive light. Every single time Peters name comes up it's to trash him. From Peters performance as a drummer, his singing, his lack of song writing skills, to his personal misgivings, to his "complaining" (and it seems Paul also does his fair share of whining here.) No I don't think Peter was the greatest rock and roll drummer there ever was, but lets face it not everyone in the 70s was Keith Moon, Neil Peart and John Bonham, but in his prime Peter held his own. Paul goes as far as to say he couldn't solo and he sounded like "Ricky Ricardo playing the bongos instead of a rock and roll drummer" Which I found amusing but also disheartening, Peters drum solos were probably the most memorable and energetic on any live album period. Yes he fell apart and stop caring in the late 70s but hey, give credit where credit is due. If he was such an awful drummer, person, and singer (yes he even said Peter couldn't sing) then why have him in the band to begin with?, and why wait so long to get rid of him? Later Paul tells a story how his first live in girlfriend was on drugs and he put her out on the street as soon he found out, which he seemed to be bragging about. Nice guy right? In his early days as a cab driver he also brags about stealing money from his job. Later in the book he finds out his father was in a loveless marriage with his mother and had a long term mistress, Paul basically s***s all over his dad for it... after writing through out the whole book about all the women he's slept with. I suppose in Paul's eyes his dad was only permitted one for his whole life. What makes all this so disappointing is that Paul is a grown man, he's not in his 20s where he can bitch and it's cool and rebellious, he's in his 60s, and to use his own words "complaining about winning the lottery and having to pay taxes" Rather than being forgiving and seeing the big picture, which is. "Hey my childhood was rough, but it made me who I am and I wouldn't change that for a thing." " Peter was great and did a lot for the band, including Beth, and some diversity in vocals, and maybe he wasn't the John Bonham I fantasized about playing with but he did some tasty drum lines and memorable solos, if only he weren't such a pain in the ass" ... He is more forgiving toward Ace, and it comes off more honest when he complains about him. He also bitches a lot about Gene trying to take credit for being the genius behind KISS and sets the record straight there. He even bitches about the late Eric Carr, which wasn't his first choice for replacing Peter. Toward the end of the book he comes around and tries to convince everyone what a great guy he is because he found love and has kids. What I did like about the book was he did show us a side to him which we don't often see. His ear deformity, growing up and while with the band, the fact that he had no friends, and that's why he worked so hard ( big surprise there, he still doesn't realize he was a selfish jerk.) So yeah Peter bitches about being ripped off and taken advantage of in his book, and Paul doesn't lead me to believe this wasn't the case. I suppose after reading all there bios (and Lydia's) I can see they all have different view points about how things went down, and why they did the things they did. But Paul and Gene walked away with KISS,A and all the money and glory that comes with it, to continue bitching about 2 guys that helped put, and keep them on the map is beyond me. KISS was on the verge of being a one hit wonder before "Beth" can you give Peter some credit for at the very least being the voice behind the song that saved your ass from obscurity? In the end it was still an interesting read, but also a turn off.
Huge Kiss Fan Here. I ran across an interview paul did for this book on the Today Show. Paul came across the most authentic I have witnessed any member of Kiss so I purchased the book. Paul is a NYC kid like I was. I was pleasantly surprised to read about the many things we had in common. He even lived 3 blocks away from me at one point. Thanks for turning me onto The Move. GREAT BAND !The book tells the Kiss story and the Paul Story. I found it to be very informative and reflective of a life attained through hard work and determination, also of luck.Paul stresses the good and disregards the bad as un necessary. The Starchild has grown up.Thanks for the memories and the reminder to be yourself. Kiss was very instrumental to me in my youth. I will never forget the joy I got listening to them and staring at the album covers. My imaginary friends that inspired me when all felt wrong.Peace
It seems there are three types of Rock Star Biographies: "I survived but it ruined my life", "He died, this is how it ruined his life" and the rarest of all, "I survived and came out reasonably healthy and normal". This is one of the latter.Paul turns out, unsurprisingly, to be the intelligent, sensitive one. Don't expect minutiae about tours, equipment or particular songs and albums. Those stories are told in detail elsewhere. This is the well written and engaging story of Paul's overcoming a physical handicap (deafness and deformity of an ear) to become one of the biggest stars of the '70s. He holds back very few punches in exposing his take on his bandmates. Having read numerous books by and about KISS I believe I'm more inclined to believe Paul than the others.Those who aren't fans might be tempted to give this a miss, but if you have any interest in the story of the self described "Hottest Band In The World" told by one who was there, it's worth a read.
Like a lot of kids back in the mid to late 70s, I was a huge KISS fan and they were my very first concert experience in 1977. But, admittedly, I kind of 'grew out' of my KISS phase by high school as I discovered other groups and styles of music, and only listened to them on rare occasions in the ensuing years (although I still followed news reports about them). When they launched the first of their 'farewell tours' in the late 1990s, I caught one of their shows. I finally decided to buy Paul's book for a couple reasons, 1.) I'm on a kick lately reading a lot of band/musician biographies and autobiographies, especially of the music I grew up with, and 2.) I've always been curious to read a first-hand description of the origin of KISS. I went into this with moderate expectations and was pleasantly surprised by the book overall. Paul was honest, candid and thoroughly captivating. I learned a lot about him as a person and what motivated him to get into music, start the band KISS and to continue participating in it for the next four decades. It was kind of hard putting this book down to be perfectly honest. If you're a KISS fan, this is a great book. If you aren't, it's still a great book. I'm now listening to these guys again on Spotify, and am planning to see them on their next "final" tour in March, 2019.
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